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Allison Gregory

Allison Gregory's plays have been produced all over the country, and she has received commissions, grants, and development from Oregon Shakespeare Festival, South Coast Repertory, The Kennedy Center, Indiana Repertory Theatre, the Skirball-Kenis Foundation, ACT Theatre, Seattle Repertory Theatre, Seattle's Arts and Cultural Affairs, LATC, The New Harmony Project, Northwest Playwright's Alliance, Amphibian Stage Productions, and Austin Scriptworks. Her work has been the recipient of the Julie Harris Playwriting Award & South Coast Repertory's Playwright's Award (Forcing Hyacinths); Garland & Dramalogue Awards (Fall Off Night, Breathing Room, L.A.); Seattle Times Best New Play Award (Burning Bridget Cleary; Peter and the Wolf), and Carbonell nominations (uncertain terms), as well as finalists for the O'Neill, Bay Area Playwright's Festival, Great Plains, and American Blues Blue Ink Award. Her play Not Medea is currently receiving a National New Play Network (NNPN) Rolling World Premieres at B Street Theatre, Contemporary American Theatre Festival, and Perseverance Theatre. Motherland was featured in Orlando Shakespeare Theater's Playfest 2016 reading series in November, and will receive a workshop production at Theatre Lab @FAU in January 2017. Her plays are published by Playscripts, Smith & Krauss, Dramatic Publishing, and Rain City Press. Allison is an alumni of LATC'S Wordsmiths and a former Hedgebrook Women Playwright's resident. She splits her time between Seattle and Austin, where she is the co-founder of an awesome playwright collective. For more plays and info kindly go to